A portrait-oriented oil painting in which blues of smoke meet the oranges and yellows of flame — colours that pull against each other with quiet intensity. Geometric elements and gold leaf move through the composition like something structural beneath the surface, a reminder that what is burning is not being destroyed. The work is inspired by the biblical account of the burning bush, the moment in which Moses encounters a flame that consumes without consuming, and hears, for the first time, the name of God. An abstract representation of that paradox: fire as revelation rather than ruin.
Oil and 24kt Gold Leaf on Canvas, 120×100cm
A portrait-oriented oil painting in which blues of smoke meet the oranges and yellows of flame — colours that pull against each other with quiet intensity. Geometric elements and gold leaf move through the composition like something structural beneath the surface, a reminder that what is burning is not being destroyed. The work is inspired by the biblical account of the burning bush, the moment in which Moses encounters a flame that consumes without consuming, and hears, for the first time, the name of God. An abstract representation of that paradox: fire as revelation rather than ruin.
Oil and 24kt Gold Leaf on Canvas, 120×100cm
